Monday, February 26, 2018

Subsume

Subsume—it pierced my mind in the wee hours of the night, when I was delirious from lack of sleep. It seems like a strange mix of “sublime” and “consume,”—two very opposite words; one frees and the other captures. In definition, subsume is akin to the latter. But it strikes me as something that has a deeper meaning than merely to be devoured.

“I am subsumed in hatred” seems to me to mean “I am utterly drowning in the infinite sea of hatred.” Not something like “a big animal called hatred is eating me.” Looking at the definition, subsume seems to be organizational, scientific—example sentences like “Red, blue, and green are subsumed in the word ‘colors’” leach all power from the word and relegate it merely to the realm of taxonomy.

I refuse to believe that the word is so innocuous. Subsume seems violent to me, an unstoppable force of nature that is underestimated in Merriam Webster.

Google tells me that the word comes from the Latin roots “sub” meaning “from below” and “sumere” meaning “to take.” This probably implies that the word should lie on a higher plane than the objects it takes, elevating the words that live below it to its level in some hierarchical sense. But what’s to stop subsume from lurking underwater, taking objects from below instead?

The subsumed objects are not being rescued—they are drowning. Somewhere in the utility of the word is the insidious power of stripping an object of all its unique qualities and letting it drown in the sea of subsummation.

Consummation has sensual overtones—it is the ringing gavel of finality. Subsummation, by contrast, is the vacuous break of waves on the beach. It belies a larger infinity, going on as long as the eye can see. Subsummation is the logical end to the act of subsuming. Below the mottled waves is a veritable treasure trove of objects snatched from a higher plane and dragged under.

Maybe subsummation isn’t all bad—sometimes the things that we crane our necks to see are too complex to understand. We need them to be dragged under the waves—we need to pigeonhole, process, synthesize, subsume these abstract or intricate or dense ideas so that we can simplify our lives and understand what’s going on around us. Sometimes we’re grateful to that unfeeling infinity for taking the complexity and making it disappear.

But—and how can there not be a but?— the inevitability of subsummation cannot mean that we are happy to see everything we truly care about lost at sea. And if we don’t rescue the things that have already been lost to the waves, sooner or later the briny green and barnacles will make these objects—once free to roam in all their complexity—indistinguishable.

We have long known, as Bruegel might say, that big fish eat little fish. But far more sinister than any marine predator is the danger of letting the tranquility of the salty sea breeze pacify us. Subsummation is the danger that we think less about. More concerned about being consumed by the big fish, we forget the threat of being subsumed by the ocean.

So remember the dangers of subsummation, and never underestimate its agent, subsume. In this seemingly innocuous word is the power to destroy all that we hold dear—to, by the power of its infinite, uncaring waves, wipe smooth the jagged faces the things that truly matter.

Monday, February 19, 2018

What should you major in?

A common misconception about majors is that you should be good at the thing you’re majoring in. Admittedly, that would be ideal—majoring in something that is naturally easy for you would be great for your social life, your confidence (no demoralizing reliance on “the curve”), your GPA…

But in reality there are not many people in this world built like Einstein or Beethoven or Shakespeare—so-called geniuses naturally good at one thing. Especially if that one thing is something that has a reputation for being hard.

I’m an applied math major. I am not good at math. I happen to be rather good at time management, which is not the same thing as having a deep intuitive understanding of the subject. I’m no Newton or Laplace or Ramanujan, and I know it. This might be a stretch, but I think most people are non-geniuses like me, people who won’t ever find the one subject they happen to be marvelous in.

So how do you choose a major? The obvious answer is to look at Forbes’ top 10 paying majors and choose the easiest-sounding one. But I remain an idealist: we come to college to learn something that we can’t learn on our own (I mean, presumably that’s where the tuition money is going, right?) Majoring in something just because it’s easy sounds like a cop-out to me—maybe a way to have a bomb social life, but not a way to become academically fulfilled. In my experience at my pretty good university, college students spend most of their time studying anyway. Might as well not waste that time studying something just because it’s not hard.

Anyway, here’s the textbook thesis of the post: a major should be something that you choose not because you’re good at it, but because you can still at least halfway enjoy it when you’re bad at it.

Maybe you’re lucky and the thing that happens to bring you joy is also easy for you. But I wasn’t and was deeply disturbed by the fact that I didn’t have a natural so-called passion or calling. I chose math somewhat arbitrarily, because I had given up on chemistry after discovering that lab work absolutely sucked. To my surprise, I found that I actually enjoyed talking to the wacky, insanely smart professors in the department. And I don’t mind spending all my time trying to understand some random proof.

As insurance for the future, I’ll add that we’ll see how I feel about math after I’ve struggled through Partial Differential Equations (oh GOD). But for now, I’m satisfied with my decision.

Here’s a checklist:

HOW TO KNOW IF YOU HAVE SELECTED THE CORRECT MAJOR

  1. You failed a test and instead of freaking out and crying (as you did for the chemistry test) you went to office hours because, damn it, you need to know how you got that problem wrong.

  2. Office hours: you think the professors are the bomb, even if/especially if nobody else seems to like them. You go to office hours. The professor knows your face.

  3. You spend three to four hours getting tutored by the grad TA and instead of feeling empty and tired at the end, the fact that you finally finished the problem set makes you want to run up the top of a hill and sing.

  4. You start making up dumb inside jokes about your major and get sad when none of your friends understand/care.

  5. You can name at least three famous people in the field who are still alive (bonus points if one of them has taught you)

  6. Thinking about what you used to want to major in makes you want to laugh.

  7. Plan your future classes on a spreadsheet or something. The face you make is not a grimace.

Monday, February 12, 2018

Nice

My least favorite word in the English language?

“Nice.”

It’s a word we use these days to mean a vaguely pleasant time: “How was the date?”

“Oh it was nice.”

It’s a word we use to describe the weather when we don’t feel like going outside, instead merely looking out the window: “Oh, weather’s nice today.” It’s a word we use to describe approbation when we hear something that will hold our interest for approximately three minutes before moving on: “I scored with Julie last night!”

“Niiice.”

And of course, my biggest pet peeve of all—using “nice” as a word to describe people who are a vague mix of everything above: vaguely pleasant presences vaguely pressing our perceptions.

“Nice” is a kind of Orwellian platitude, a word that’s been used in so many contexts and in so many situations for so long that it’s lost all real meaning. Once a word with obsolete (but precise!) definitions in the English language, it was used as words should be: with care. Laurence tells Friar John of Juliet’s fateful letter to Romeo: “The letter was not nice [trivial], but full of charge…” he cries. When Mercutio falls bloody at the hands of Tybalt, Benvolio mourns to the prince: “How nice [silly] the quarrel was, and urged withal/ Your high displeasure.” Alas, the glory days for that word have gone. “Nice” deserves now to be in that infamous writers’ pantheon of utterly useless and misused words, joining its brethren: “very,” “never-ever”, “really”, “like.”

We’re wasting our breaths when we use such an empty word. What does it really mean, after all, when someone says the weather is “nice”? Is it sunny? Cloudy? Breezy? In using the word “nice” we are perpetuating not only the deep, abiding uncertainty of whether or not we’ll need a sweater today but also the deep abiding uncertainty of what the speaker really has to say. I’ll never know what kind of weather is “nice” to him. And chances are, I’ll never ask.

The situation becomes much direr when we inflict that infernal word on people. I should know. Growing up, I was the tall introvert with glasses, and when people asked who I was—invariably—they received this answer:

“Oh, her. She’s nice.”

And that would be the end of it.

Using that word reduces someone’s entire humanity to something absolutely meaningless, squeezed between the confines of the “n” and the “e.” Instead of actually taking the time to use the English language properly, thinking about words and their meanings, we slap on “nice” as filler, mad-libs style, adjective-plus-noun, hurling someone’s entire lifetime—all their experiences, feelings, thoughts, beliefs—into this whirling black abyss. Nice people are doomed to a doughy, shapeless kind of existence, and no matter how far or fast we run, no matter how interesting or social or attentive we attempt to be, we remain nothing but “nice.”

And we use this profane word to describe our friends, our family, the people we love most in the world! If you truly care about somebody—if you truly know them, I am absolutely certain that there are other, less insulting words to describe them. After all, if I asked you to describe Jesus, or Santa Claus, or Madonna, you certainly wouldn’t say “nice.” You might say instead “inspiring”, “jolly”, or “drop-dead sexy.” But never “nice.”

There is still an issue to address for my skeptical readers. What if you don’t know your target? Even I’ll fall into the trap of using “nice” to describe someone I don’t know very well. It’s an easy pitfall, especially in an age where brevity is becoming more and more valued, and thought less and less.

But even for those acquaintances, it’s trivial to think of better words to describe them than “nice.” Are you referring to their excellent manners in society? Use “polite.” Their eagerness to associate with others? Use “friendly.” Their willingness to give up their belongings for others? How about “generous” or “selfless” or “altruistic”?

“But,” you may be wondering, “what if I want to say something about my target less specific, to point to their general excellence of character?”

Well then, I implore you to use the word “kind” instead, a far more descriptive and meaningful word that says so much more about the warmth of spirit you are obviously encountering.

To my worst enemies alone will I reserve the word “nice,” because to them I say that they are not worthy of my thought and time enough to call or “revolting” or “contemptuous.” I won’t spit on my worst enemies—I won’t even acknowledge them. They are not worthy of the basic humanity that calls for me to listen to what they have to say, or understand who they are as people.

So then, to them and to them alone will I reserve that damned four-letter word, and if everybody on Earth were to do the same, the English language would be all the better for it.

To begin

I guess a weekly post would be fair. If anyone happens to be reading this, I'll try to stay on top of it. My first post is going to be rather well-crafted and topical (...pretentious...) because it's an essay that's been sitting in my computer for far too long, but that will probably end very quickly.

Let the musings begin!